Overall smoother contrast and rolloff compared to Kodak.
Shot on: Captain Phillips, Wall Street: Money Never Sleeps, The Butler
LUT 5) ‘Eterna’ - Modelled on Fuji Eterna 8563 Overall lift in saturation and contrast compared to ‘Vision’ but still balanced.Ĭan elevate a dull scene with its look but not overpower a rich scene.
Canon clog 2 to rec 709 lut skin#
Greens are slightly warmer, blues slightly turquoise and skin more golden. LUT 4) ‘Vision Teal’ - Variation on Kodak Vision 5274 (LUT# 1) Modelled on the Re-Graded versions of classic films from 70s & 80s Greener in cast than the more magenta original Eastman 5247 LUT3) ‘Eastman RM’ - Variation on Kodak Eastman 5247 (Introduced Jan 2022)Ĭlassic Eastman Look but modernised (Orange & Teal) Greens skew warm, blues slightly turquoise, gold/pink skin-tones. Saturation strongest in mids and falls off in shadows and highlights. Shot on: Apocalypse Now, Bladerunner, Alien, ET LUT 2) ‘Eastman’ - Modelled on Kodak Eastman 5247 Skews green in shadow areas and when underexposedĬlassic film character but less stylised than any other stock Gentle roll off and rich, smooth fall off in shadows Strong contrast and filmic subtractive colour model in saturation The most colour accurate stock with accurate blues, slightly cool greens, accurate skin tones which slightly skew pink/gold Shot on: The Matrix, Lord of the Rings Trilogy, Gladiator LUT 1) ‘Vision’ - Modelled on Kodak Vision 5274 The emulations are based on my own research and subjective impressions of the film stocks listed. The ‘Film Look’ LUT Pack contains 6 LUTs inspired by real film stocks designed to give your C-Log2/3 Footage the Film Look. It’s my personal take on what Utopia would look like. LUT 5) Utopia - the most filmic look of the LUTs, with blood red reds and filmic blues and greens. LUT 4) Jamaica - Green and gold cast - distinctive, rich, filmic greens and beautiful golden skintones. LUT 3) Ice Blue - Blue, colder cast with punchy, deep blues (looks amazing on subjects with blue eyes). LUT 2) Tungsten - A slightly warmer golden cast designed to be utilised for subjects bathed in tungsten light. LUT 1) Neutral - A neutral ARRI look - no colour cast or 'look' - just the classic ALEXA Rec709 look. I’m really happy with the emulation and hope you enjoy it too!ġ) An organic, smooth and gentle highlight roll-off that mimics Alexa in it's highlight rendering to give an overall organic and naturalistic feel to the footage.Ģ) Natural skin tones designed to render contrast levels on skin like an ARRI Alexa.ģ) Naturalistic, organic and classic colours.Ĥ) Rich but not crushed shadows so that these LUTs can be used in low light scenes as well as broad daylight.ĥ) Commensurate exposure levels with the input footage that don't shrink the dynamic range of the camera (by blowing out the highlights and crushing the shadows) or radically change the exposure value or luminance of the originating image. With the extensive data gathered, I was able to build an emulation that is extremely accurate factoring in not just the overall colour response but also the more subtle aspects of the Alexa colour science that it borrowed from photochemical film such as it’s non linear hue responses for rich, complex colours, subtractive colour modeling in relation to luminance vs saturation dynamics and the Alexa’s overall saturation profile for beautiful highlight rolloff and shadow falloff to name a few. With each set up I recorded 3 exposures - under 2 stops over 2 stops and correct exposure. In total I shot approximately 80 scenes this way. I shot in sunlight, shadow, overcast, indoor daylight, indoor mixed lighting, controlled studio lighting and all with my trusty Xrite Colour Checker Classic Card and my Xrite Digital Color Checker SG Card. Over the course of a few days, I shot exposure matched test footage with my Alexa mini and a C300 mk3 side by side with matched Sigma Art lenses. While no camera is perfect, personally I find the Alexa’s colour science to be the gold standard in terms natural, accurate and beautiful colours right out of the box as a starting point to grade from. Having recently purchased a C70 myself I decided to develop a LUT to emulate my Alexa mini using the tried and true process I developed with Sony and Blackmagic cameras. A lot of Canon users have emailed me describing their dissatisfaction with the colours coming out of their camera.
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